On their self-titled third album, CHON find themselves at the confluence of a great push and pull. Since forming in 2008 in San Diego, the trio — guitarists Mario Camarena and Erick Hansel and drummer Nathan Camarena — have become one of the most buzzed-about acts in the new era of progressive rock, on the back of more than 40 million Spotify streams and tours with the likes of Coheed and Cambria, Animals As Leaders and Circa Survive.
Their debut full-length, 2015’s Grow, established their mathy, forward-thinking take on the genre, while 2017’s Homey furthered that sound while incorporating brand-new influences like effect-pedal-heavy elements of electronic music and trip-hop and debuted at No. 66 on the Billboard 200. Now, with CHON, set for release on June XX through Sumerian Records, the trio once again have kicked down their musical guardrails — but in a way that balances their more eccentric impulses with a steadying dose of clarity and restraint.
CHON is brimming with some of the most forward-thinking, intricate musings the band have ever attempted, from the deep progressive propulsion of first single “Peace” to “Spike,” which spins the band’s youthful tech and metal influences together into a flashy riff-athon. All at once, CHON respects the trio’s current listeners while inviting a broader swath of new ones in — the rare progressive rock album adroit enough to straddle that line. For the band, it will be especially rewarding to bring this new musical mindset to crowds at festivals like Coachella, Shaky Knees and Electric Forest. There will be, of course, CHON diehards in the audience, but large-scale settings like these offer the band the opportunity to cultivate an even wider fanbase around their captivating sound.